Ikiru by Akira Kurosawa 1952

February 2nd, 2006

“Life is brief. Fall in love, maidens, before the crimson bloom fades from your lips, before the tides of passion cool within you, for those of you who know no tomorrow.”

Synopsis: Considered by some to be Akira Kurosawa’s greatest achievement, ‘Ikiru’ presents the director at his most compassionate — affirming life through an exploration of a man’s death. Takashi Shimura portrays Kanji Watanabe, an aging bureaucrat with stomach cancer forced to strip the veneer off his existence and find meaning in his final days. Told in two parts, Ikiru offers Watanabe’s quest in the present, and then through a series of flashbacks. The result is a multifaceted look at a life through a prism of perspectives, resulting in a full portrait of a man who lacked understanding from others in life.

Critique: “Sometimes I think of my death,” Kurosawa has written: “I think of ceasing to be . . . and it is from these thoughts that Ikiru came.” The story of a man who knows he is going to die, the film is a search for affirmation. The affirmation is found in the moral message of the film, which, in turn, is contained in the title: Ikiru is the intransitive verb meaning “to live.” This is the affirmation: existence is enough. But the art of simple existence is one of the most difficult to master. When one lives, one must live entirely––and that is the lesson learned by Kanji Watanabe, the petty official whose life and death give the meaning to the film.

Personally (as I have indicated) I think it means that man is alone, responsible for himself, and responsible to the choice that forever renews itself. This interpretation has never been better put than by Richard Brown, when he wrote:

“Ikiru is a cinematic expression of modern existentialist thought. It consists of a restrained affirmation within the context of a giant negation. What it says in starkly lucid terms is that ‘life’ is meaningless when everything is said and done; at the same time one man’s life can acquire meaning when he undertakes to perform some task that to him is meaningful. What everyone else thinks about that man’s life is utterly beside the point, even ludicrous. The meaning of his life is what he commits the meaning of his life to be. There is nothing else.”

-Excerpted from Donald Richie’s The Films of Akira Kurosawa, ©1996 University of California Press.

My thoughts: I can identify with Kanji Watanabe. What gives meaning to someones life? I hope, before the end comes, I can leave the world feeling that I’ve contributed to people’s lives. This movie, more than any other, can change your life.

2 Responses to “Ikiru by Akira Kurosawa 1952”

  1. erik Says:

    I love your blog. You post about some very good films.
    I adore Takashi Shimura. He is one of my favorite actors. He is great — not just good — in everything I have ever seen him in, from Stray Dog to Gojira and of course Seven Samurai in between.

  2. Cineaste Says:

    Shimura in Seven Samurai was my first Japanese film. It was a smooth introduction to Japanese Cinema and other Takashi Shimura movies. I especially enjoyed his collaborations with Toshirô Mifune.

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